威廉·斯利姆（William Slim,1891—1970） 英国陆军元帅，第一代斯利姆子爵，二战名将。他1891年出生于英国布里斯托尔，1908年入读爱德华国王学校，尔后加入军官训练团。1914年8月22日，以代理少尉军衔到英国皇家沃里克郡团服役，随军参加一战。1918年11月，转隶英印军，以代理少校军衔到第6廓尔喀步枪团就职。1937年入读英国皇家国防研究院，毕业后，出任第7廓尔喀步枪团第2营营长，随后又出任英印高级军官学校校长。 二战爆发时，斯利姆就任英印第5师第10旅旅长，前赴非洲作战，再度负伤。1941年，升任英印第10师长。日军入侵缅甸后，英印军节节败退，1942年3月，斯利姆临危受命，出任英缅第1军军长，克服重重困难，率军撤抵印度。斯利姆此后历任英印第15军军长、第14集团军司令官和第11集团军群总司令，反败为胜，领军收复缅甸，特别是在...(展开全部)

Field Marshal William Slim stands alongside Montgomery as the outstanding British field commander of World War II. Defeat Into Victory is his classic account of the Burma campaign: a story of retreat, attrition and final hard-fought victory over the Japanese. Told by a commander always at the centre of events, this is a narrative which captures both the high drama and the harsh...(展开全部)

『SEKIRO』の"美" 、その粋を収録した特製画集――ここに完成!!隻腕の狼、戦国に忍ぶ。物語を追うイメージボード群、キャラクターデザイン、コンセプトデザインなど、世界が注目する画稿の数々を一挙掲載。血なまぐさい枯れた戦場と日本古来の色鮮やかさが混在する『SEKIRO』独特の戦国時代、その深度と幻想の狭間に思いを馳せる一冊。物語を追うイメージボード群、キャラクターデザイン、コンセプトデザインなど、世界が注目する画稿の数々を一挙掲載。血なまぐさい枯れた戦場と日本古来の色鮮やかさが混在する『SEKIRO』独特の戦国時代、その深度と幻想の狭間に思いを馳せる一冊。

『SEKIRO』の"美" 、その粋を収録した特製画集――ここに完成!!隻腕の狼、戦国に忍ぶ。物語を追うイメージボード群、キャラクターデザイン、コンセプトデザインなど、世界が注目する画稿の数々を一挙掲載。血なまぐさい枯れた戦場と日本古来の色鮮やかさが混在する『SEKIRO』独特の戦国時代、その深度と幻想の狭間に思いを馳せる一冊。物語を追うイメージボード群、キャラクターデザイン、コンセプトデザインなど、世界が注目する画稿の数々を一挙掲載。血なまぐさい枯れた戦場と日本古来の色鮮やかさが混在する『SEKIRO』独特の戦国時代、その深度と幻想の狭間に思いを馳せる一冊。

Traditionally, the notion of defeat has been central to epistemology, practical reasoning, and ethics. Within epistemology, it is standardly assumed that a subject who knows that p, or justifiably believes that p, can lose this knowledge or justified belief by acquiring a so-called 'defeater', whether that is evidence that not-p, evidence that the process that produced her beli...(展开全部)

Traditionally, the notion of defeat has been central to epistemology, practical reasoning, and ethics. Within epistemology, it is standardly assumed that a subject who knows that p, or justifiably believes that p, can lose this knowledge or justified belief by acquiring a so-called 'defeater', whether that is evidence that not-p, evidence that the process that produced her beli...(展开全部)

時尚／LV；運動／Nike；電腦／IBM……，眼下我們生存的時代，品牌形象代表一切，連小學生也懂得要用名牌。要表現自己的專業、品味、社經地位，就要消費特定的產品，不管你是否真喜歡其品質。獲得消費者的品牌認同，就等於獲利的保證，於是新創的品牌虎視眈眈，欲取市場第一品牌之位而代之。至於沒有顯赫招牌的產品，往往價美物廉還是乏人問津。 知名品牌挾著雄厚的資本、強勢的行銷能力、全球運籌（global logistics）的經營觀念，令其產品席捲全世界。一種產品行銷全球，創造了後現代的國際風格，統一了世人的消費觀，卻斲傷了異文化的豐富性。全球性的公司聲稱要支持文化的多樣性，其實他們所謂的「多元文化主義」只是生產更多的產品，讓消費者有較多的購買選擇。 而在知名品牌風光行銷全球的背後，是許多不為人注意的勞工。他們其中的大多數人無法分享公司的鉅額利...(展开全部)

Japan's economic reconstruction after total defeat in the Second World War has been an extraordinary phenomenon. In Japan's Capitalism, Shigetu Tsuru, one of Japan's most eminent economists gives a comprehensive account of the recovery process, and a unique interpretation of the post-war Japanese economy. He analyses the significance of Japan's money-oriented affluence and the ...(展开全部)

Japan's economic reconstruction after total defeat in the Second World War has been an extraordinary phenomenon. In Japan's Capitalism, Shigetu Tsuru, one of Japan's most eminent economists gives a comprehensive account of the recovery process, and a unique interpretation of the post-war Japanese economy. He analyses the significance of Japan's money-oriented affluence and the ...(展开全部)

When David Shannon was only five years old, he wrote and illustrated a story in which an unruly little boy breaks all of his mother's rules -- he jumps on the beds; he chews with his mouth open; he plays ball in the house. Any child who is tired of hearing his parents say "No " will readily identify with this boldly illustrated, comical story.